Anzeige
Mehr »
Login
Dienstag, 30.04.2024 Börsentäglich über 12.000 News von 686 internationalen Medien
Basin Uranium: Es geht los! Der Uran-Superzyklus ist gestartet!
Anzeige

Indizes

Kurs

%
News
24 h / 7 T
Aufrufe
7 Tage

Aktien

Kurs

%
News
24 h / 7 T
Aufrufe
7 Tage

Xetra-Orderbuch

Fonds

Kurs

%

Devisen

Kurs

%

Rohstoffe

Kurs

%

Themen

Kurs

%

Erweiterte Suche
PR Newswire
36 Leser
Artikel bewerten:
(0)

Leopold Museum Private Foundation Defends Itself Against Accusations of Looted Artworks

VIENNA, November 2, 2014 /PRNewswire/ --

Restitution is denied in the case of works formerly owned by Fritz Grünbaum

On Friday, 31 October 2014, a press conference was held in New York in connection with the recently settled claim for restitution involving a work by Schiele formerly owned by the noted Viennese cabaret artist Fritz Grünbaum, who died in a concentration camp. The watercolour is due to be auctioned at Christie's New York on Wednesday, 5 November 2014.

In the invitation presented to the Leopold Museum Private Foundation to attend the press conference, which was held in the Museum of Jewish Heritage, reference was made to the claim for restitution, refuted by the Leopold Museum Private Foundation, for another painting by Schiele, "Tote Stadt III" [Dead City III], also from Fritz Grünbaum's collection. This work is part of the Leopold Collection and in the possession of the Leopold Museum Private Foundation.

A joint investigation into the provenance of the painting by the Austrian Federal Government (Ministry of Culture) and the Leopold Museum Private Foundation clearly proved that the "Tote Stadt", like many other works by Egon Schiele (1890-1918) from the Grünbaum Collection, was sold after the Second World War, in the 1950s, by Mathilde Lukacs, Fritz Grünbaum's sister-in-law, to the important Swiss art dealer Eberhard W. Kornfeld, who then sold it on.

The advisory committee established by the Federal Government to examine the dossier of the independent researcher into the provenance of works owned by the Leopold Museum - the so-called Michalek Commission - had already concluded in 2010, based on the extensive studies completed in the same year by provenance researcher Dr Sonja Niederacher that there would be no case for restitution if the Leopold Museum were owned by the Federal Government.

The Leopold Museum Private Foundation was shown to be the legal owner of the painting in question. Should the "Grünbaum heirs" continue to falsely claim that the Leopold Museum is not the legal owner of the "Tote Stadt", the Leopold Museum Private Foundation reserves the right to take legal action.

The auction house Christie's took the incomprehensible but apparently conscious decision to accept an incomplete and false chain of provenance, and refused to recognise the Austrian provenance research - and thus the professional research findings of independent experts, commissioned by the Federal Government, who worked in collaboration with the Leopold Museum Private Foundation. The works of Fritz Grünbaum were never looted art. A deliberate suppression of the facts does not change this situation.

The entries about works from the Leopold Collection formerly owned by Fritz Grünbaum on the website lostart.de are also unacceptable, as the "reported" items are neither lost nor were looted.

Further information:

Grünbaum Dossier (Niederacher):

http://www.kunstkultur.bka.gv.at/Docs/kuku/medienpool/19629/dossier_gruenbaum.pdf

Grünbaum ruling (Committee):

http://www.kunstkultur.bka.gv.at/Docs/kuku/medienpool/19629/dossier_gruenbaum.pdf

Leopold Museum Private Foundation
Mag. Klaus Pokorny - Press / Public Relations
Tel.: +43-1-52570-1507
presse@leopoldmuseum.org
http://www.leopoldmuseum.org

Großer Insider-Report 2024 von Dr. Dennis Riedl
Wenn Insider handeln, sollten Sie aufmerksam werden. In diesem kostenlosen Report erfahren Sie, welche Aktien Sie im Moment im Blick behalten und von welchen Sie lieber die Finger lassen sollten.
Hier klicken
© 2014 PR Newswire
Werbehinweise: Die Billigung des Basisprospekts durch die BaFin ist nicht als ihre Befürwortung der angebotenen Wertpapiere zu verstehen. Wir empfehlen Interessenten und potenziellen Anlegern den Basisprospekt und die Endgültigen Bedingungen zu lesen, bevor sie eine Anlageentscheidung treffen, um sich möglichst umfassend zu informieren, insbesondere über die potenziellen Risiken und Chancen des Wertpapiers. Sie sind im Begriff, ein Produkt zu erwerben, das nicht einfach ist und schwer zu verstehen sein kann.