Artprice and its CEO thierry Ehrmann are proud to present the 50 greatest artworks sold at auction last year. In the first half, Modern Art returned to "auction leader' position with two results above the $100 million threshold.
The Art Market's principal motivation has always been to seek the exceptional and the rare. The quest for strong sensations is an inherent characteristic of its history and its market: by acquiring an artwork, the collector also acquires an extraordinary history.
Collectors are naturally on the lookout for the right work by the right artist at the right time and at the right price, but they are also looking for a story that they relates to. In spite of these "search criteria', the Art Market posts a global average 30% to 35% unsold rate, a key indicator of the Market's health.
The inescapable processes of selection - indispensable to the Market's refinement - are at the heart of the Museum Industry, the growth of which represents a genuine revolution in Art History.
Museums have in effect become the Temples of our 21st century: the number of visitors has multiplied by at least ten over the last 20 years. This represents an outstanding growth rate and it has been accompanied by the development of an entertainment market offering all manner of interactivity, derivatives, virtual visits, etc.
In sum, with the museums, the galleries and the auction houses, art has become a vast domain for leisure, discovery, education and curiosity.
[https://imgpublic.artprice.com/img/wp/sites/11/2019/03/van-gogh-vue-de-l-asile.jpeg]
Vincent VAN GOGH
Vue de l'asile et de la Chapelle St-Paul de Mausole (1889)
| Rank | Artist | Artwork | Price ($) |
|---|---|---|---|
| 1 | Amedeo MODIGLIANI (1884-1920) | Nu couché (sur le côté gauche) (1917) | 157,159,000 |
| 2 | Pablo PICASSO (1881-1973) | Fillette la corbeille fleurie (1905) | 115,000,000 |
| 3 | Edward HOPPER (1882-1967) | Chop Suey (1929) | 91,875,000 |
| 4 | David HOCKNEY (b. 1937) | Portrait of an Artist (Pool with Two Figures) (1972) | 90,312,500 |
| 5 | Kasimir MALEVICH (1878-1935) | Suprematist Composition (1916) | 85,812,500 |
| 6 | Claude MONET (1840-1926) | Nymphéas en fleur (c.1914-1917) | 84,687,500 |
| 7 | Henri MATISSE (1869-1954) | Odalisque couchée aux magnolias (1923) | 80,750,000 |
| 8 | Constantin BRANCUSI (1876-1957) | La jeune fille sophistiquée (1928) | 71,000,000 |
| 9 | Willem DE KOONING (1904-1997) | Woman as Landscape (1954-1955) | 68,937,500 |
| 10 | Pablo PICASSO (1881-1973) | Femme au béret et à la robe quadrillée (1937) | 68,702,214 |
| 11 | ZAO Wou-Ki (1921-2013) | Juin-Octobre 1985 (1985) | 65,204,489 |
| 12 | SU Shi (1037-1101) | Wood and rock | 59,206,820 |
| 13 | Pablo PICASSO (1881-1973) | La Dormeuse (1932) | 57,829,046 |
| 14 | Jackson POLLOCK (1912-1956) | Composition with Red Strokes (1950) | 55,437,500 |
| 15 | Francis BACON (1909-1992) | Study for Portrait (1977) | 49,812,500 |
| 16 | Jean-Michel BASQUIAT (1960-1988) | Flexible (1984) | 45,315,000 |
| 17 | PAN Tianshou (1897-1971) | View From the Peek (1963) | 41,392,525 |
| 18 | Vincent VAN GOGH (1853-1890) | Vue de l'asile et de la Chapelle Saint-Paul de Mausole (1889) | 39,687,500 |
| 19 | Andy WARHOL (1928-1987) | Double Elvis [Ferus Type] (1963) | 37,000,000 |
| 20 | Pablo PICASSO (1881-1973) | Le repos (1932) | 36,920,500 |
| 21 | Pablo PICASSO (1881-1973) | Buste de femme de profil (Femme écrivant) (1932) | 35,974,916 |
| 22 | Mark ROTHKO (1903-1970) | Untitled (Rust, Blacks on Plum) (1962) | 35,712,500 |
| 23 | Paul GAUGUIN (1848-1903) | La Vague (1888) | 35,187,500 |
| 24 | Jackson POLLOCK (1912-1956) | Number 32, 1949 (1949) | 34,098,000 |
| 25 | Georges Pierre SEURAT (1859-1891) | La rade de Grandcamp (Le port de Grandcamp) (1885) | 34,062,500 |
| 26 | Claude MONET (1840-1926) | La Gare Saint-Lazare, vue extérieure (1877) | 32,960,961 |
| 27 | Claude MONET (1840-1926) | Extérieur de la gare Saint-Lazare, effet de soleil (1877) | 32,937,500 |
| 28 | Gerhard RICHTER (b. 1932) | Abstraktes Bild (1987) | 32,000,000 |
| 29 | Juan GRIS (1887-1927) | La table de musicien (1914) | 31,812,500 |
| 30 | Claude MONET (1840-1926) | Le bassin aux nymphéas (1917-1919) | 31,812,500 |
| 31 | Andy WARHOL (1928-1987) | Six Self Portraits (1986) | 31,414,491 |
| 32 | Jean-Michel BASQUIAT (1960-1988) | Flesh And Spirit (1982/83) | 30,711,000 |
| 33 | Mark ROTHKO (1903-1970) | No. 7 (Dark Over Light) (1954) | 30,687,500 |
| 34 | Lucian FREUD (1922-2011) | Portrait on a White Cover (2002/03) | 29,732,780 |
| 35 | Pablo PICASSO (1881-1973) | La Lampe (1931) | 29,562,500 |
| 36 | David HOCKNEY (b. 1937) | Pacific Coast Highway and Santa Monica (1990) | 28,453,000 |
| 37 | Andy WARHOL (1928-1987) | Most Wanted Men No. 11, John Joseph H., Jr (1964) | 28,437,500 |
| 38 | Ren MAGRITTE (1898-1967) | Le principe du plaisir (1937) | 26,830,500 |
| 39 | Francis BACON (1909-1992) | Figure in Movement (1972) | 25,918,362 |
| 40 | Jean-Michel BASQUIAT (1960-1988) | Untitled (Pollo Frito) (1982) | 25,701,500 |
| 41 | Pablo PICASSO (1881-1973) | Femme dans un fauteuil (Dora Maar) (1942) | 25,539,921 |
| 42 | Egon SCHIELE (1890-1918) | Dämmernde stadt (Die kleine stadt ii) (1913) | 24,572,500 |
| 43 | Wassily KANDINSKY (1866-1944) | Improvisation auf mahagoni (1910) | 24,233,800 |
| 44 | Richard DIEBENKORN (1922-1993) | Ocean Park #126 (1984) | 23,937,500 |
| 45 | ZAO Wou-Ki (1921-2013) | Et la terre était sans forme (1956-1957) | 23,305,301 |
| 46 | Wassily KANDINSKY (1866-1944) | Zum thema jngstes gericht (1913) | 22,879,000 |
| 47 | Jeff KOONS (b. 1955) | Play-Doh (1994-2014) | 22,812,500 |
| 48 | Pablo PICASSO (1881-1973) | Le matador (1970) | 22,780,091 |
| 49 | Joan MIRO (1893-1983) | Femme dans la nuit (1945) | 22,590,000 |
| 50 | Richard DIEBENKORN (1922-1993) | Ocean Park #137 (1985) | 22,587,500 |
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Artprice is the global leader in art price and art index databanks. It has over 30 million indices and auction results covering more than 700,000 artists. Artprice Images® gives unlimited access to the largest Art Market resource in the world: a library of 126 million images or prints of artworks from the year 1700 to the present day, along with comments by Artprice's art historians.
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Having produced more than 60,000 books and auction catalogues, Artron is the world's largest art book printer with a total print volume of 300 million a year. It has more than 3 million professional members in the arts sector and an average of 15 million daily visits, making it the world's leading art website."
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